One-Man Shows: 1945 Firenze, "La Porta" Gallery 1946 Firenze, "Il Fiore" Gallery 1951 Firenze, "La VignaNuova" Gallery 1952 Firenze, "Numero" Gallery 1953 Firenze, "Galleria d'Arte Contemporanea"          Firenze, "La Strozzina" Gallery 1954 Firenze, "Numero" Gallery          Lo Ciuffenna Town Hall 1960 Firenze, "La Strozzina" Gallery 1961 Pisa University Institute for the History of Art 1963 Firenze, "Quadrante" Gallery 1965 Firenze, "Proposte" Gallery 1966 Arezzo, Circolo Artistico 1967 S.Giovanni Valdarno, "Il Ponte" Gallery 1968 Firenze, "Il Fiore" Gallery 1969 Firenze, "Pananti" Gallery          Firenze, "Michelucci" Gallery          Arezzo, Circolo Artistico 1970 Firenze, Galleria "Michelucci"          Firenze, "Pananti" Gallery 1971 Firenze, Galleria "Pananti"          S.Giovanni Valdarno, "Il Ponte" Gallery 1972 Firenze, Galleria "Pananti"          Arezzo, Circolo Artistico          S.Giovanni Valdarno, "Il Ponte" Gallery          Montevarchi, "Palazzetto Alamanni" Gallery 1973 Prato, Galleria "Metastasio"          Arezzo, Comunale Gallery          Firenze, Chiostro di S.Marco          Firenze, "Pananti" Gallery 1974 S.Croce sull'Arno, Galleria "Cristiano Banti"          S.Giovanni Valdarno, "Il Ponte" Gallery          Firenze, "Pananti" Gallery          Firenze, Chiostro di S.Marco          Montecatini, "La Salita" Gallery 1975 Parigi, Maison des Lettres          Montecatini, "La Salita" Gallery          Arezzo, Circolo Artistico 1976 Firenze, Chiostro di S.Marco 1977 Firenze, "Pananti" Gallery          Monza, "Montrasio Arte" Gallery 1978 Pontassieve, "Il Castello" Gallery          Loro Ciuffenna, Palazzo Comunale 1979 Firenze, Galleria "Pananti"          Bologna, "Galleria del Vicolo Quartirolo"          Loro Ciuffenna, Town Hall 1980 Firenze, "Pananti" Gallery          Prato, "Il Pozzo" Gallery 1981 Firenze, "Pananti" Gallery 1982 Firenze, "Pananti" Gallery          Roma, "Prospettive nel mondo" 1983 S.Giovanni Valdarno, Casa di Masaccio          Firenze, "Pananti" Gallery          Arezzo, Galleria Comunale          Parma, "Rossi" Gallery 1984 Firenze, "Pananti" Gallery          Sesto Fiorentino, Rifugio Gualdo 1985 Firenze, "Pananti" Gallery          Firenze, Chiostro di S.Marco 1986 Firenze, "Pananti" Gallery 1987 Firenze, "Pananti" Gallery          Chitignano, Palazzo Comunale 1988 Firenze, "Pananti" Gallery          Arezzo, Sala di S.Ignazio 1989 Fiesole, Seminario del Palazzo Vescovile          Vallombrosa, Abbazia Benedettina 1990 Firenze, "Pananti" Gallery 1992 Firenze, "Pananti" Gallery 1993 Firenze, "Pananti" Gallery		What the critics said: "What most convinces us in Venturi's art is that birth of his from a desire for knowledge, for an uncommon objectification…." Giovanni Colacicchi, 1945 "Venturino Venturi is truly a sculptor, in the fullest sense of the word. In every work of his, the material is still alive; it breathes…." Michelangelo Masciotta, 1946 "Rarely does it happen that one can abandon oneself with serenity and be absorbed in a work that has the capacity to lead to one's coming upon - with great suggestion - the germinal moment of poetry, and [one] has this capacity because this moment is dominated and expressed: it is a true form of sentiment". Carlo L. Ragghianti, 1961 "…inventive impulse, without abstruseness or condescension of a cerebral origin: a strong emotional charge which never becomes turbid and disperses, monitored as it is by an inflexible plastic sense…." Mario Bergomi, 1963 "There emanates from him that legendary quality which we connect with the ancient and perennial idea of the creator of living forms; we can manually touch the birth of an idea that has been thought into the material which must contain and exalt it; not circumspect, not mediated nor domesticated by modern astuteness; the ancient comparison and the challenge between freedom and limitation reappears." Mario Luzi, 1963 "And his strength lies completely in that daily submersion of the mystery of the universe, convinced that the power of his art, the truth, the expressiveness, will sooner or later be fully understood." Franco Simongini, 1979 "…Venturino gives and offers, without blandishments, without abuses. A small miracle, we repeat, a great light that reaches us from a soul reborn within the voice of the ancient heart." Carlo Bo, 1985 "What distinguishes him from today's artists is his primary intuition, which has allowed him to rise back up to certain principles of life. I judge him to be one of the absolute modern artists, among the purest and most intense who exist." Romano Bilenchi, 1988 "Having precipitated since then into the senses and the senses having precipitated into sculpture, without any residue; if not, he could not have been completely himself on every page, in every stone, as he - Venturino - has been." Alessandro Parronchi, 1993